Music – (M.Phil.)

Supervision is available in the following areas:

* Modernist and postmodernist music and theory, especially since World War II; music and gender (Dr P Attinello).
* Nineteenth- and early twentieth-century music; music and philosophy; music and politics; gender and sexuality; psychoanalysis; popular musics (Dr I Biddle).
* Michael Tippett; analysis and theory; music and culture, Hindustani classical music (Professor D Clarke).
* Vivaldi; late baroque music, especially opera; conducting (Professor E Cross).
* Ethnomusicology; the African diaspora; salsa; jazz; cultural memory; performance (Dr N de Jong).
* Improvisation; studio-based composition; hip hop, funk, jazz and counterculture (Dr W Edmondes).
* Composition; twentieth-century music; Latin American music (Professor A Fernández).
* Twentieth-century music; music analysis; music and philosophy (Dr P Fleet).
* Early modern English secular song; print culture; gender; historiography and critical theory (Dr K Gibson).
* Composition; ethnomusicology; cultural history and theory of technology; psychoanalysis (Dr B Hogg).
* Music and empathy; children’s singing pedagogy; composing with children; music in children’s school transitions; music education (Dr F Laurence).
* Early twentieth-century music; music theory and analysis; performance analysis (Dr B Lowe).
* Performance; composition; history of folk and folk-related musics (Ms C Macdonald, Ms K Tickell).
* Scottish, Irish and Welsh traditional music; traditional music and the performance of meaning (Dr S McKerrell)
* Ethnomusicology; world music/world beat; traditional and popular musics, especially of the Mediterranean (Dr G Plastino).
* Historical performance practice 1500-1650; Renaissance performance practice (Dr J Savan)
* Literature review mentoring (Dr R Southey).
* Irish and Breton traditional music; performance (Dr D Wilkinson).
* Medieval and Renaissance music; editing and source studies; performance (Dr M Williamson).