Contents

All students complete three taught core modules and one optional module from a choice of two. MSc students also complete a research project or dissertation. The Diploma may be converted to an MSc by completing the research project, once the assessment requirements for the Diploma have been successfully completed.

Core taught modules

* Principles of Sound Production and Control | Introduces fundamental concepts in audio engineering before moving on to more advanced principles. Topics range from basic nomenclature, through filters and digital audio, to signal processing and oversampling.
* Sound Synthesis | Provides an understanding of the acoustic nature of sound itself, essential to an appreciation of the technology of music. It is now possible to use digital descriptions of music to investigate aspects such as perception of meter, rhythm and compositional style. Finally, at a higher level of analysis, the module looks at how computers have influenced music production and distribution.
* Acoustics and Music Information | Provides an understanding of the acoustic nature of sound itself, essential to an appreciation of the technology of music. It is now possible to use digital descriptions of music to investigate aspects such as perception of meter, rhythm and compositional style. Finally, at a higher level of analysis, the module looks at how computers have influenced music production and distribution.

Optional taught modules

* Multimedia Authoring | This module introduces the basic elements of authoring in a multimedia programming environment that integrates graphics, animation, video, midi and advanced audio processing. Effective programs incorporating audio processing and midi can be created without learning vast amounts of formal programming theory. The ability to program and express solutions in terms of a computer language is a transferable skill aiding the learning of more diverse languages.
* Performance Practice and New Technologies | This module provides advanced instruction in audiovisual production and live mediated perfomance methods. It develops the use of tools and skills through practical creative work, repertoire analysis and live presentation. Creative projects employing software for audiovisual composition or sound and image processing in conjunction with live performaers are designed and performed. Current aesthetic and theorietcal issues addressing new modes of perfomance and audiovisual composition are studied.

Research project or dissertation

Due to the diversity of educational backgrounds of those on the course we encourage students to make use of original skills and draw upon material introduced by the taught modules to develop the project. Typically, the nature of the project falls into one (or perhaps a mixture) of three broad categories: discursive, software, or hardware.