This course explores the relationship between textual and visual forms of apprehension and expression in the modern world and their impact on European culture post-1900. The focus of the core module is on the graphic arts (poster, postage stamp, typography), photography and cinema, and on contemporary digital-based media. Various theoretical approaches will be explored in relation to the word/image problematic which will be situated in a number of European cultural traditions. Course options focus on specific media (photography, cinema) or themes (the city, avant-gardes).
The aim of the course is to bring students to a high level of theoretical and practical awareness of the text-image relation in cultural expression, equip them to analyse and evaluate the various forms text/image interaction takes, and to provide them with a training that will enrich their practice in other areas of study or professional engagement.
The course consists of one core module stretching over two semesters and four one-semester modules (from a choice of 5 or 6). The first core module focuses on Word/Image relations in graphic design, ranging from posters and postage stamps to typography and logotype. The second core semester focus on word/image relations in photography, cinema and the digital media. The one-term options, two of which are followed each semester, include Text and Photography, Figuring European National Identities, Figurations of the European City, the Russian Avant-Garde and East European Cinema. A dissertation on a subject of the student's choice is prepared over the summer months.
INTRODUCTION: This is a one-year full-time course. Students take two core modules valued at 10 ECTS each. They select four optional modules at 10 ECTS each. These taught elements all take place in the Michaelmas and Hilary teaching terms. Towards the end of the academic year students write a Dissertation valued at 30 ECTS. Core modules 1 and 2, which together form an Introduction to Textual & Visual Studies, are described on this page.
ECTS allocation : 2 x 10 credits (22 contact hours per module; student work load 240 hours per module)
Module Coordinators : David Scott
Teaching Staff : David Scott, Cormac O Cuilleanain (Semester 1); Justin Doherty, Mads Haahr (Semester 2)
This core component overall explores the complex relationship between textual and visual forms of apprehension and expression in the modern world and their impact on European culture post-1900. The focus of the first core module will be on the graphic arts (poster, postage stamp, typography) while the second core module will examine photography, cinema and contemporary digital-based media. Various theoretical approaches will be explored in relation to the word/image problematic as manifested in a number of European cultural traditions. Accompanying optional modules (two per semester) will focus on specific media (photography, cinema) or themes (the city, avant-gardes, national identity).
The aim of both core modules will be to bring students to a high level of theoretical and practical awareness of the text-image relation in cultural expression, to equip them to analyse and evaluate the various forms text/image interaction takes, and to provide them with a training that will enrich their practice in other areas of study or professional engagement.
Working Methods :
The two modules will consist of weekly two-hour seminars, each to include a lecture component of not more than one hour. Each week students will be required to have completed a reading assignment (set text and any further critical/theoretical background reading set in advance). All students will also be required to present at least one seminar paper per module.
Learning Outcomes :
Students will write an essay of 3,500-5,000 words on an approved topic relating to course content and covering at least two of the course texts or course authors (or one course text and one other). It should be submitted within four weeks of the end of the semester in which the course is taught.
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Designed for well-qualified Arts graduates (or those who have attained an equivalent level in European or other institutions) who have a good working knowledge of both French and English.
English language requirements:
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